Same. Before the fix of frequency the card itself was annoying, but Bohemians wouldn’t be Bohemians without scandalous affairs (and endless debts).
One of my favourite scenes, actually, because it has what erotic interludes often lack: narrative weight and meaning. It isn’t there only for the sake of "look, hot queer action" - it represents that the owner of this memory trusts us enough to allow us to witness it, no matter how intimate and painful to remember. (Which is doubly significant for a character who usually plays the role of just another incomprehensible eldritch menace and rarely has a chance to show that his humane side is not unlike our own.)
The rare success with the Last Constable was particularly memorable for me. I’m still not sure if I cherish it or regret it, and in matters of writing, this is generally a compliment.